Meshiaak melt old and newschool thrash on debut album

It's sometimes really surprising to see that supergroups can come along the way without any sign that has surfaced beforehand. It has been like this for me when I first heard about Meshiaak and their first album "Alliance of thieves" which saw the light of last last friday 19th August 2016 via Mascot Records. This band features Jon Dette (Slayer, Anthrax, Testament, Iced Earth) on drums and on the guitars we hear Dean Wells (Teramaze) & Danny Camilleri (4ARM) while Nick Walker plays the bass guitars. Danny Camilleri has also taken over the duties when it comes to the vocals.

So far some full songs of the record have already premiered and they can all be heard on the Facebook page of the band. As for me the song "Drowning, Fading, Falling" has been my favorite. It comes along as a cool classic thrash track with a calm core inside. I love to hear some variations inside the vocals, it's those notes that bring some relaxing moments to take a breath before the rollercoaster moves on.

It's also a good example on how old and new stuff can me melt into one piece. The band has also pointed out about that in a statement saying through the words of Dean Wells: "We went with keeping the sound as band-orientated and organic as possible, but with using a lot of modern technology,” explains Dean. “It’s a blend of old and new because we recorded to two-inch tape for the drums through an old Neve desk, but the rest of the album was produced in my home studio. We also went with a mixer named Jacob Hansen who is known for a lot more progressive music. But I think the combination really gives Meshiaak a new and fresher sound than most traditional thrash albums. And so we’ve tried to create something fresh amongst the guidelines of traditional metal and thrash with some progressive elements, although at the same time we wanted to make music feel like when we first discovered bands like Megadeth, Metallica, Machine Head etc., even Alice in Chains and Slipknot.”

The band Meshiaak, (c) by Karina Wells, used with kind permission

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